The WITITAWAI Collective
Digital Art and Existential Philosophy Research Group
The WITITAWAI Collective ("Who is the I that asks Who am I?") investigates art at the intersection of digital technologies and existential philosophy. What happens to selfhood when identity dissolves into logic and arithmetic? What becomes of our gestures when they become standardised coordinates stripped of their human origin? What becomes of art in a world where representation precedes reality, and every event must perpetually recount itself to survive?
Through theoretical inquiry and creative practice, the collective confronts the unfillable gap between being and logic to probe the bite of existence in a world experienced largely as digital representation. These are not questions for philosophy alone—they demand to be lived, performed, and rendered visible.
Hell is other people's numbers.
Project Lead: Dr. Giuseppe Torre
Publications
| [Book] | Torre, G., 2026. Digital - Definition and Condition. | <Zenodo> |
| [Book] | The Artistic Gesture in the Digital World, 2026. This publication emerges from the mentorship program The Artistic Gesture in the Digital World, curated by Giuseppe Torre as part of the fellowship with Fondazione Studio Rizoma (Palermo, Italy). Featuring works by: Maria Bernardi, Laura Pitingaro, Laura Mocerino, Alessandro Costanzo, Giuseppe Rappa. | <Studio Rizoma> |
| [Article] | Keohane, D., 2026, Between Forms and Interpretations: The Digital “Unconscious”. in xCoAx 2026 14th Conference on Computation, Communication, Aesthetics and X. pp.106-128 | <xCoAx> |
| [Article] | Torre, G., Pellizzer, F. T., 2026. 'Selfhood and Artistic Individuality in "Bits" — What Gets Lost in the Translation from Analogue to Digital' In: Finding Our Place in the Digital World, Philosophical Essays on Technology, Phenomenology, and the Environment. Springer. | In press |
| [Book] | Vassilicos, B., Torre, G. & Pellizzer, F.T. 2025, The Experience of Noise: Philosophical and Phenomenological Perspectives. Springer Nature. | <Springer> |
| [Article] | Torre, G., 2024. Digital Instruments: Extensions or Media? Performance Philosophy, 9(1), pp.202-219. | <Journal> |
| [Paper] | Torre, G., Vassilicos, B. & Pellizzer, F.T. 2022, No noise, no party! On Shannon, Aesthetics and one reason for the love of random in digital art practices. in xCoAx 2022 10th Conference on Computation, Communication, Aesthetics and X. i2ADS, pp. 243-255. | <xCoAx> |
| [Article] | Torre, G. 2021. The No core-(f)utility and the Impossible Refusal. inTransmediale Almanac 2021 | <Transmediale> |
Artistic Output
Members