Power, M., Devereux, E. and Dillane, A. (Eds.). (2018) Heart and Soul: Critical Essays on Joy Division. London: Rowman & Littlefield International.
Dillane, A., Power, M., Devereux, E. and Haynes, A (Eds.). (2018) Songs of Social Protest: International Perspectives. London: Rowman & Littlefield International.
Devereux, E., Dillane, A. and Power, M. (Eds.). (2017) David Bowie: Critical Perspectives (PB). New York: Routledge
Hidalgo, M. (2016) Mozlandia: Morrissey Fans in the Borderlands. London: Headpress
Devereux, E., Dillane, A. and Power, M. (Eds.). (2015) David Bowie: Critical Perspectives. New York: Routledge.
Devereux, E. (2014) Understanding The Media 3rd edition London: Sage.
Devereux, E., Dillane, A., and Power, M (Eds.). (2011) Morrissey: Fandom, Representations & Identities. England: Intellect.
Power, M. Devereux, E. and Dillane, A. (2018) 'This Is the Way, Step Inside: Understanding Joy Division', In: Power, M. Devereux, E. and Dillane, A. (eds.). Heart and Soul: Critical Essays on Joy Division. London: Rowman and Littlefield International.
Devereux, E., Meagher, D. and Cullen, W. (2018) 'This is the Crisis I Knew Had to Come: Revisiting Ian Curtis's Suicide', In: Power, M. Devereux, E. and Dillane, A. (eds.). Heart and Soul: Critical Essays on Joy Division. London: Rowman and Littlefield International.
Dillane, A., Power, M. Devereux, E. and Haynes, A. (2018) ‘Against the Grain: Counter-Hegemonic Representations of Pre and Post 'Celtic-Tiger' Ireland in the 'Protest' Songs of Damien Dempsey', In: Dillane, A., Power, M. Devereux, E. and Haynes, A. (eds.). Songs of Social Protest: International Perspectives. London: Rowman and Littlefield International.
Dillane, A., Power, M. Devereux, E. and Haynes, A. (2018) ‘Get Up, Stand Up, Sing Out: The Contemporary Relevance of Protest Song', In: Dillane, A., Power, M. Devereux, E. and Haynes, A. (eds.). Songs of Social Protest: International Perspectives. London: Rowman and Littlefield International.
Power, M. (2018) ‘“Aesthetics of resistance”. Billy Bragg, Ideology, and the Longevity of Song as Social Protest', In: Dillane, A., Power, M. Devereux, E. and Haynes, A. (eds.). Songs of Social Protest: International Perspectives. London: Rowman and Littlefield International.
Dillane, A., Power, M. and Devereux, E. (2017) ‘Shame Makes The World Go Around': Performed and Embodied (Gendered) Class Disgust in Morrissey's 'The Slum Mums', In: Way, L. and McKerrell, S. (eds.). Music As Multimodal Discourse: Semiotics, Power and Protest. London: Bloomsbury.
Dillane, A., Devereux, E. and Power, M. (2015) ‘Culminating Sounds and (En)visions: Ashes to Ashes and the case for Pierrot’, In: Devereux, E., Dillane, A. and Power, M. (eds.). David Bowie: Critical Perspectives. New York: Routledge.
Power, M., Devereux, E. and Dillane, A. (2015) ‘Where are we now? Contemporary Scholarship on David Bowie’, In: Devereux, E., Dillane, A. and Power, M. (eds.). (2015) David Bowie: Critical Perspectives. New York: Routledge.
Langlois, T. (2013) ‘The Rise and Fall of the Singing Tiger: Ireland and Eurovision.’ in Tragaki, D. (ed) Empire of Song: Europe and Nation in the Eurovision Song Contest. Scarecrow Press.
Devereux, E., Dillane, A., and Power, M. (2011) 'And don't forget the songs that made you sad, and the songs that saved your life'' In: Devereux, E., Dillane, A., and Power, M (eds).Morrissey: Fandom, Representations and Identities. England: Intellect.
Power, M (2011) 'The Teenage Dad' and 'Slum Mums' are 'Just Certain People I know': Counter hegemonic representations of the working / under class in the works of Morrissey' In: Devereux, E. Dillane, A. and Power, M (eds) (2011). Morrissey: Fandom, Representations & Identities. England: Intellect.
Devereux, E. and Dillane, A (2011) 'Speedway for Beginners' In In: Devereux, E. Dillane, A. and Power, M (eds). Morrissey: Fandom, Representations & Identities. England: Intellect.
Devereux, E., Dillane, A. and Power. M. (2018) 'Saying Hello to the Lunatic Men: A Critical Reading of ‘Love is Lost’'. Contemporary Music Review, 37(3): 257-271.
Power, M., Dillane, A. and Devereux, E. (2017) '"You'll Never Kill Our Will To Be Free": Damien Dempsey's 'Colony' as a Critique of Historical and Contemporary Colonialism', MUSICultures,44(2): 29-52.
Dillane, A,Power, MJ,Devereux, E (2017) 'Locating culture, making soundscapes and activating critical social relations: A case study from Limerick SoundScapes'. Portuguese Journal Of Social Science, 16 (3):343-358
Power, M., Dillane, A. Devereux, E. (2016) “I sing out to the youth of the slums”: Morrissey and Class Disgust, Popular Music and Society, 39(5): 547-562.
Dillane, A., Power, M.J. & Devereux, E. (2014) 'I Can Have Both: A Queer Reading of Morrissey'. European journal of Popular Culture, 5(2):149-164.
Dillane, A (2013) ‘Irish Nostalgic Song and the Performance of Identity’, Bealoideas Special Edition, Journal of the Folklore Society of Ireland, 81: 13-27.
Dillane, A (2013) ‘Composing Identity, Fiddling with (Post)Ethnicity: Liz Carroll’s “Lake Effect”’. MusiCultures 40(1): 7-34.
Power, M., Dillane, A. and Devereux, E (2012) 'A push and a shove and the land is ours: Morrissey's counter-hegemonic stance(s) on social class'. Critical Discourse Studies, 9 (4):375-392.
