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IV

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Reducing the mass of the built to shadow, Simon Downes’s portrait of Cleeves site gives visual prominence to organic matter.
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Drawn in the manner of Walter Pichler, David Cooney’s isometric of Cleeves draws the site as a series of rooms, defined by masonry, earth, rock and foliage.
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Drawn in the manner of Peter Salter, Aisling’s drawing combines planar, isometric and sectional projection to draw a portrait of a particular corner of Cleeves.
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Joe Hartnett isolates Cleeves concrete ground slabs in plan, showcasing the complex patchwork of ground stitched together through years of alteration and addition.
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Aisling Duffy’s survey drawing isolates the complex maze of existing pipework on Cleeves site
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Drawn in the manner of Shin Egashira, Jack Denihan’s drawing of the outdoor rooms of Cleeves depicts the sie as a complex landscape.
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Sinead Clarke’s watercolour survey drawings of Shatwell Farm in Somerset depict the relationship of the existing farmstead to the surrounding landscape.
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Fionn O’Leary’s proposal sees the external rooms of Cleeves utilised for extensive cultivation. Produce is sold within a proposed indoor market.
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Gavin Dunne’s proposal sees the large excavated expanses of concrete ground slab used in conjunction with a proposed scaffolded structure to create places of rest, socialisation, cultivation and circulation within and around the existing structures on site.
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Aoife Corrigan’s sectional drawing through a labyrinth of vertical and horizontal plains offers an alternative perspective on a proposed public garden for Cleeves.
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Fionn O’Leary’s proposal for the reoccupation of the Flax Building layers a cultural centre and a combination of housing typologies in section.
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Joe Kelly’s examination of the boundary and external walls of Cleeves as surface informs the spatial configuration and lighting strategy for a new culinary school, garden and housing development.
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David Cooney’s proposal for the reoccupation of the existing pump house sees the careful removal of fabric and the insertion of a timber structure to create a theatre and housing.
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David Cooney’s elevation study of the theatre building shows the layering of a new timber structure externally.
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Simon Downes’s housing, market and allotment proposal bookends the dividing roadway on the site, transforming the street into a public plaza.
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Simon Downe’s study of Peter and Alison Smithson’s Weekend House informs the insertion of a two storey house typology into existing built fabric at Cleeves.
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Shouba Khooshanjali Ujhoodha’s section shows the sequence of public and private space created by the programmatic combination of housing, market and culinary school within existing and proposed structures.
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Luke Robert’s housing proposal sees the insertion of a complex sectional arrangement into the existing structural shells on site.
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Luke Robert’s site section bookends a covered courtyard with civic and residential space, set within the existing built fabric of Cleeves.
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Aoife Corrigan’s site plan shows the complex arrangment of the proposed and existing buildings containing workshops and housing.
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Aoife Corrigan’s birds-eye perspective of Cleeves site showcases a number of large public rooms created by the construction of housing and workshops along the sites outer edges.

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Next: SAUL V

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